Introduction

Robot Jox is a 1990 American post-apocalyptic mecha science-fiction film directed by Stuart Gordon and starring Gary Graham, Anne-Marie Johnson and Paul Koslo.

Co-written by science-fiction author Joe Haldeman, the film’s plot follows Achilles, one of the “robot jox” who pilot giant machines that fight international battles to settle territorial disputes in a dystopian, post-apocalyptic world.

Outline

Fifty years after a nuclear holocaust, mankind is decimated and the surviving nations – the American western-influenced Market and the Soviet-Russian-influenced Confederation – have agreed to outlaw traditional open war. In their place, disputes are settled with gladiator-style matches between giant robots operated by pilots called “robot jox” who are contracted to fight ten matches. The Confederation champion is Alexander, who has killed his last nine opponents thanks in part to a spy in the Market leaking information to the Confederation. The Market’s champion, Achilles has won nine fights and will fight his final match against Alexander for the territory of Alaska. Achilles is supported by robot designer “Doc” Matsumoto and strategist Tex Conway, the only jox to win all ten of his contract fights.

As Achilles gets the upper hand in the match, Alexander launches a rocket fist at him. The projectile goes out of control and heads toward the bleachers. Achilles intercepts the projectile but his robot takes the full force of the impact and is knocked into the crowd, killing over 300 people. The referees declare the match a draw and order a rematch, but Achilles, shaken by what happened, declares this was his contractual tenth match and announces his retirement. He goes to live with his brother Philip and his family, and finds he is publicly branded a traitor and a coward. Meanwhile, a new jox is chosen to face Alexander, a genetically engineered “gen jox” named Athena, who is the first female jox. Worried for Athena and attracted to her, Achilles returns to the Market and agrees to fight Alexander again, infuriating Athena.

As Achilles’ robot is rebuilt, Matsumoto refuses to divulge any knowledge of its new weapons so it cannot be leaked by the spy, and Conway confides in Achilles he believes Matsumoto is the spy. Conway confronts Matsumoto in his office. Matsumoto reveals he has analysed Conway’s final fight and deduced that the “lucky” laser hit Conway claims allowed him to defeat a clearly superior opponent was in fact deliberately aimed; Matsumoto accuses Conway of being a Confederation agent. Conway confesses and shoots Matsumoto, who secretly records the deed as part of the mission briefing. Conway informs the Market leadership that Matsumoto was the spy. On the day of the fight Athena drugs Achilles and steals his jox suit to commandeer the robot. Unable to stop the fight once she takes the field, the Market decides to support her. While watching Matsumoto’s briefing on the robot’s new weaponry, the footage of Conway killing Matsumoto is played and Conway jumps down the robot’s elevator shaft to his death.

Alexander takes the field against Athena. Athena takes the early advantage, but Alexander overpowers her and incapacitates the robot. The fight is declared in Alexander’s favour and referees order him to stand down. Achilles arrives on the field and takes over the robot from Athena while Alexander smashes the referee hovercraft; the two jox stand to continue the fight. Both robots take to the air and a short space battle ensues. Alexander critically damages Achilles’ robot, forcing him to crash land and flee for cover to the arm of Alexander’s robot Athena sliced off earlier in the fight. Achilles hotwires the arm to launch its fist at Alexander, destroying his robot. Alexander emerges from the wreckage and the two battle with poles before Achilles finally convinces Alexander a match does not have to end with the death of a jock. Alexander throws down his weapon, and they salute each other with the jox’s traditional “crash and burn” fist bump.

Cast

• Gary Graham – Achilles/Jim
• Anne-Marie Johnson – Athena
• Paul Koslo – Alexander
• Robert Sampson – Commissioner Jameson
• Danny Kamekona – Dr. “Doc” Matsumoto
• Hilary Mason – Professor Laplace
• Michael Alldredge – Tex Conway
• Jeffrey Combs – Spectator/Prole #1
• Michael Saad – Spectator/Prole #2
• Ian Patrick Williams – Phillip
• Jason Marsden – Tommy
• Carolyn Purdy-Gordon – Kate
• Thyme Lewis – Sargon
• Gary Houston – Sportscaster
• Russel Case – Hercules
• Stuart Gordon (uncredited) – Bartender

Production

Director Stuart Gordon stated that the initial inspiration for Robot Jox came from the Japanese Transformers toy line:

While there have been animated cartoons based on these giant robots, no one has ever attempted a live-action feature about them. It struck me that it was a natural fantasy for the big screen–and a terrific opportunity to take advantage of the special effects that are available today.

When Gordon initially approached producer Charles Band with the concept, Band said the film would be too expensive for his studio, Empire Pictures, to produce. Band changed his mind, however, and asked Gordon to create a demo reel of stop motion test footage with special effects artist David W. Allen. The footage impressed the film’s potential backers, and eventually became the film’s opening title sequence. Initially budgeted at $7 million, the film was to be the most expensive film Empire Pictures had ever produced.

Science-fiction author Joe Haldeman wrote the screenplay for the film and co-wrote the story with Gordon. The two met when Gordon was hired to film a four-part adaptation of Haldeman’s novel The Forever War, but when funding for the project was cut, Gordon instead directed a stage adaptation of the book, which Haldeman also wrote. Two years later, Gordon asked Haldeman to work on a science fiction adaptation of the Iliad; the idea would form the basis for what eventually became Robot Jox. Haldeman claimed his and Gordon’s visions for the film clashed; the former wanted a dramatic, serious science fiction film while the latter wanted a more audience-friendly, special effects-driven action film with stereotypical characters and stylized pseudo-science. In a one-and-a-half-page outline, Gordon inserted other elements into the plot, including the film’s Cold War-era themes. Haldeman wanted to title the film The Mechanics, but Gordon insisted on Robojox. According to Haldeman:

I would try to change the science into something reasonable; Stuart would change it back to Saturday morning cartoon stuff. I tried to make believable, reasonable characters, and Stuart would insist on throwing in clichés and caricatures. It was especially annoying because it was a story about soldiers, and I was the only person around who’d ever been one.

Several times, Haldeman feared that this clash would lead to him being dropped from the project, but the film’s producers sided with him during pre-production. Haldeman wrote that Gordon later recognised that the author was “writing a movie for adults that children can enjoy” while Gordon had been “directing a movie for children that adults can enjoy.”

Principal photography on the film began in Rome in January 1987 and ended in April. During filming, the producers brought in Haldeman to work with the film’s principal actors. Afterwards, Allen began to produce the film’s special effects sequences. Ron Cobb helped design the robots for these scenes. Allen chose to film these sequences at El Mirage lake bed in San Bernardino County, California, due to its bright skies and unobstructed panoramic view; however, weather elements frequently delayed filming.

Soundtrack

Frédéric Talgorn, who had previously composed the music for the 1989 horror film Edge of Sanity, wrote the orchestral film score for Robot Jox, which was performed by the Paris Philharmonic Orchestra. Since Prometheus Records reissued the soundtrack in 1993, it has received generally high acclaim. An editorial review by Filmtracks.com stated that “Talgorn’s usual strong development of thematic ideas is well utilized in rather simplistic fashion in this film, perfect for the contrasting characters and their underdeveloped dimensions.”

Release

Although originally scheduled for release in 1989 (a novelisation, written by science fiction author Robert Thurston, was published that year), the film’s theatrical run was initially delayed until April 1990 due to Empire International Pictures’ bankruptcy during production. After more delays, Triumph Films released the film to theatres on 21 November 1990. When it peaked in its second weekend at the 13th spot, it grossed $464,441 in 333 theatres, averaging $1,394 per theatre; it eventually earned a domestic total gross of $1,272,977. Its limited run in theatres prompted science fiction writer Gardner Dozois to remark that “Robot Jox, a movie with a screenplay by Joe Haldeman, was supposedly released this year, but if it played through Philadelphia at all, it must have done so fast, because I never even saw a listing for it, let alone the movie itself.”

Home Media

Sony Pictures Home Entertainment released the film on VHS and LaserDisc formats. In October 2005, MGM Home Entertainment released the film on DVD. Though the cover still includes the film’s theatrical PG rating, the version of the film included contained violent scenes that were cut from the North American release to avoid a PG-13 rating.

In October 2014, Shout! Factory announced that the company would release the film on Blu-ray Disc in the summer of 2015. The disc included two audio commentary tracks: one featuring director Stuart Gordon and another with special effects artists Paul Gentry, Mark Rutherford, and Paul Jesel. The disc also included various behind-the-scenes featurettes, as well as trailers and archival materials. Reviewers for Blu-ray.com and Hi-Def Digest recommended the disc for fans of the film.

On 27 June 2023, Arrow Films released their new 2k restoration from the film’s original negative on Blu-Ray as part of their “Enter the Video Store: Empire of Screams” boxset.

Trivia

• The screams of the spectators being crushed by the giant robot were later sampled in the song “The Becoming” by Nine Inch Nails.
• An actual sequel to Robot Jox was considered but never made. Stuart Gordon, Gary Graham and Paul Koslo would have returned as both director and stars respectively. The cancelled sequel would have had Achilles and Alexander team up to stop an alien invasion.
  • For a similar film look at Pacific Rim (2013).
• Stuart Gordon almost cast Jean-Claude Van Damme in the lead role of Achilles.
• Robot Wars (1993) has a similar story line.

Production & Filming Details

• Director(s):
  • Stuart Gordon
• Producer(s):
  • Albert Band … producer
  • Charles Band … executive producer
  • Frank Hildebrand … associate producer
• Writer(s):
  • Stuart Gordon … (story)
  • Joe Haldeman … (screenplay)
• Music:
  • Frédéric Talgorn … (as Frederic Talgorn)
• Cinematography:
  • Mac Ahlberg … director of photography
• Editor(s):
  • Lori Ball … (as Lori Scott Ball)
  • Kimberly Domínguez … (television version)
  • Ted Nicolaou
• Production:
  • Empire Pictures (presents)
  • Altar Productions
• Distributor(s):
  • Triumph Releasing Corporation (United States, 1990)(theatrical)
• Release Date: October 1989 (Sitges Film Festival, Spain).
• Running Time: 85 minutes.
• Rating: PG (theatrical release) and 15 (DVD release).
• Country: US.
• Language: English.

Video Link(s)