Pimpernel Smith (released in the United States as Mister V) is a 1941 British anti-Nazi thriller, produced and directed by its star Leslie Howard, which updates his role in The Scarlet Pimpernel (1934) from Revolutionary France to pre-Second World War Europe.
In the spring of 1939, months before the outbreak of the war, eccentric Cambridge archaeologist Horatio Smith (Leslie Howard) takes a group of British and American archaeology students to Nazi Germany to help in his excavations. His research is supported by the Nazis, since he professes to be looking for evidence of the Aryan origins of German civilisation.
However, he has a secret agenda: to free inmates of the concentration camps. During one such daring rescue, he hides disguised as a scarecrow in a field and is inadvertently shot by a German soldier idly engaging in a bit of target practice. Wounded, he still manages to free a celebrated pianist from a work gang. Later, his students guess his secret when they see his injury and connect it to a story about the latter-day Scarlet Pimpernel in a newspaper. They enthusiastically volunteer to assist him.
German Gestapo general von Graum (Francis Sullivan) is determined to find out the identity of the “Pimpernel” and eliminate him. Von Graum forces Ludmilla Koslowska (Mary Morris) to help him by threatening the life of her father, a leading Polish democrat held prisoner by the Nazis. When Smith finds out, he promises her he will free Koslowski.
Smith and his students, masquerading as American journalists, visit the camp in which Koslowski is being held. They overpower their escort, put on their uniforms, and leave with Koslowski and some other inmates. By now, von Graum is sure Smith is the man he is after, so he stops the train transporting the professor and various packing crates out of the country. However, when he has the crates opened, he is disappointed to find only ancient artefacts from Smith’s excavations.
Von Graum still has Ludmilla, so Smith comes back for her. The general catches the couple at a border crossing. The Nazis are not even interested in Ludmilla, happy to have caught Smith. Smith tells Graum that the artefacts he has discovered disprove Nazi claims about the Aryan origins of the Germans. He predicts the Nazis will destroy themselves. In the end, Smith manages to distract his adversary and escape into the fog, but promises to come back.
- Leslie Howard as Professor Horatio Smith.
- Francis Sullivan as General von Graum.
- Mary Morris as Ludmilla Koslowski.
- Hugh McDermott as David Maxwell.
- Raymond Huntley as Marx.
- Manning Whiley as Bertie Gregson.
- Peter Gawthorne as Sidimir Koslowski.
- Allan Jeayes as Dr. Beckendorf.
- Dennis Arundell as Hoffman.
- Joan Kemp-Welch as School-teacher.
- Philip Friend as Spencer.
- Laurence Kitchin as Clarence Elstead.
- David Tomlinson as Steve.
- Basil Appleby as Jock MacIntyre.
- Percy Walsh as Dvorak.
- Roland Pertwee as Embassy Official Sir George Smith.
- A.E. Matthews as Earl of Meadowbrook.
- Aubrey Mallalieu as Dean.
- Ben Williams as Graubitz.
- Ernest Butcher as Weber.
- Arthur Hambling as Jordan.
- Mary Brown as Girl Student.
- W. Phillips as Innkeeper.
- Ilse Bard as Gretchen.
- Ernest Verne as German Officer.
- George Street as Schmidt.
- Hector Abbas as Karl Meyer.
- Neal Arden as Second Prisoner.
- Richard George as Prison Guard.
- Roddy Hughes as Zigor.
- Hwfa (Hugh) Pryce as Wagner.
- Oriel Ross as Lady Willoughby.
- Brian (Bryan) Herbert as Jaromir.
- Suzanne Claire (aka Violette Cunnington) as Salesgirl.
- Charles Paton as Steinhof.
- Michael Rennie as Guard Captain (uncredited).
- Ronald Howard Minor role (uncredited).
Leslie Howard had been aware of the Nazis in Europe and had developed a film treatment in 1938 based on the rescue of an Austrian anti-Nazi leader. With the A. G. Macdonell story of “Pimpernel” Smith taking the novel The Scarlet Pimpernel by Baroness Emmuska Orczy into modern times. A role he played in The Scarlet Pimpernel (1934), Howard took on the updated project as the first film he directed and co-produced. Production on “Pimpernel” Smith began in early 1941.
According to Kinematograph Weekly it was the third most popular film of 1941 in Britain, after The 49th Parallel and The Great Dictator.
Inspiration for Raoul Wallenberg
When “Pimpernel” Smith reached Sweden in November 1943, the Swedish Film Censorship Board decided to ban it from public viewing, as it was feared that such a critical portrayal of Nazi Germany could harm Sweden’s relationship with Germany and thus jeopardise the country’s neutrality in the Second World War. Raoul Wallenberg did, however, manage to see it at a private screening, together with his half-sister, Nina Lagergren.
She later recalled that on their way home after the screening, “he told me this was the kind of thing he would like to do.” Since 1941, Wallenberg had made frequent trips to Hungary, and knew how oppressed the Hungarian Jews were. He travelled as a representative and later joint owner of an export-import company that was trading with central Europe and was owned by a Hungarian Jew.
Following the mass deportations that had started in April 1944, Wallenberg was sent to Budapest in August 1944, as First Secretary to the Swedish legation, assigned under secret agreement between the US and Swedish governments to organise a rescue programme for the Jews. By issuing “protective passports”, which identified the bearer as Swedish, and housing them in 32 buildings that he rented and declared Swedish territory, he managed to rescue tens of thousands from the German death camps.
In May 1945, “Pimpernel” Smith was released in Sweden without any age restrictions.
- The British Film Yearbook for 1945 described his work as “one of the most valuable facets of British propaganda”.
- The film helped to inspire the Swedish diplomat Raoul Wallenberg to mount his real-life rescue operation in Budapest that saved tens of thousands of Hungarian Jews from Nazi concentration camps during the last months of the Second World War.
Production & Filming Details
- Director(s): Leslie Howard.
- Leslie Howard … producer.
- Harold Huth … associate producer.
- Herbert Smith … producer in charge of production (uncredited).
- Anatole de Grunwald … (screenplay) (as Anatole De Grunwald).
- A.G. Macdonell … (original story).
- Wolfgang Wilhelm … (original story).
- Anatole de Grunwald … (scenario) (as Anatole De Grunwald).
- Roland Pertwee … (scenario).
- Ian Dalrymple … (uncredited).
- Baroness Emmuska Orczy … (novel) (uncredited).
- Music: John Greenwood.
- Cinematography: Mutz Greenbaum.
- Editor(s): Douglas Myers.
- Production: British National Films (presents) (as British National Films Limited).
- Anglo-American Film Corporation (1941) (UK) (theatrical).
- United Artists (1942) (USA) (theatrical).
- Europa Film (1943) (Sweden) (theatrical).
- Max Films (1944) (Belgium) (theatrical).
- Pathé Pictures Ltd. (1948) (UK) (theatrical) (re-release).
- Wivefilm (1945) (Sweden) (theatrical).
- Svensk Filmindustri (SF) (1949) (Sweden) (theatrical) (re-release).
- Triangelfilm (1952) (Norway) (theatrical).
- Wivefilm (1956) (Sweden) (theatrical).
- Kursverksanhefen (1960) (Sweden) (theatrical) (re-release).
- Film AB Corona (1972) (Sweden) (theatrical) (re-release).
- Video Collection International (1986) (UK) (VHS).
- Reelclassicdvd.com (2004) (USA) (DVD).
- Adlon Filmi (1945) (Finland) (theatrical).
- Filmsonor (1947) (France) (theatrical).
- MediaOutlet.com (USA) (DVD).
- Release Date: 28 July 1941.
- Running Time: 120 minutes.
- Rating: U.
- Country: UK.
- Language: English.